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EPIC 135mm T2.4 1.33X PL
The EPIC 135mm T2.4 1.33X PL extends the focal range of the Viltrox EPIC Cine lenses lineup, distilling the essence of long-focus storytelling with enhanced cinematic depth and immersion. Paired with the newly released EPIC 65mm T2.8 Macro 1.33X PL, the duo fills key gaps in anamorphic cinematography lens coverage, empowering creators with a complete visual lens kit—from delicate macro close-ups to powerful telephoto drama.


Subject That Pops
Ultimate Compression
With its distinctive spatial compression, the 135mm separates the subject from distracting backgrounds, producing a dramatic visual depth and a highly impactful image.

Painterly Bokeh Optics
T2.4 Wide Aperture
The T2.4 aperture is expertly engineered to strike the perfect balance between light intake and detail rendering, ensuring crisp, layered visuals with a graceful blurred background at telephoto focal lengths.

Cinematic Worlds in Every Detail
1:4 Magnification
With a 1:4 magnification ratio and exceptional edge-to-edge sharpness at minimum focusing distance, this lens resolves intricate insect wing textures and even captures the subtle motion of floating dust, delivering a precision-engineered, cinematic rendering of the microscopic world.

Subtle Motion Cinematic Precision
Minimum Focus Breathing
Precision-engineered mechanics effectively suppresses focus breathing, while the buttery-smooth focus transitions ensure seamless cinematography for dynamic macro sequences.
Immersive Widescreen Visuals
Crafted for cinematic excellence, the EPIC series brings together a large aperture, ultra-low distortion, and premium aberration control, delivering immersive widescreen visuals and the signature Cinemascope look, without optical compromise.


Craft Your Visual Signature with Three Flare Styles
Choose your signature look with three distinct flare styles. The Clean version delivers pure. For a sleek, modern feel, the Silver Flare option introduces elegant silver streaks with a futuristic edge. Meanwhile, the Blue Flare version offers classic cinematic character, adding subtle yet striking blue highlights.

EPIC Series Unified Gear Design
The entire EPIC lens lineup employs a standardized 0.8M gear pitch module, maintaining uniform gear positioning, tooth count, and focus throw with precise tolerance, ensuring seamless lens interchangeability without the need for recalibration, significantly enhancing shooting efficiency on set.

Retro Pure Color Reproduction
Delivering exquisitely refined detail, this lens renders skin tones with organic warmth and achieves precise, true-to-life color accuracy. Its sharp yet nuanced color rendition creates a strikingly distinct visual texture that sets it apart from conventional lenses.

1.33X Constant Squeeze Ratio
With a constant 1.33X squeeze factor and precisely controlled distortion from close-ups to wide shots, every frame captures subjects with natural facialproportions—eliminating anamorphic mumps (facial widening) and spatial warping artifacts.
2.35:1 Movie Widescreen Effect
EPIC series lenses effectively reduce the angle of view change when focusing, and the breathing effect is barely noticeable when the focus is adjusted.


Exceptional Optical Correction
Meticulously crafted glass is integrated into a redesigned specialized optical structure, which surpressesclose-range aberrations such as spherical aberration, field curvature, and distortion at minimun focusing distances, delivering exceptional optical correction.

Part Identification

Equipped with An Air Transport Level Lens Protection Case
Special protective case for Epic series lenses, strong and resistant to pressure. It is easy to carry when going out to shoot, and can better protect the lens.

Standard Package
Product Information
Model | 25 T2.0 | 35 T2.0 | 50 T2.0 | 65 T2.8 | 75 T2.0 | 100 T2.0 | 135 T2.4 | ||
Lens Mount | PL | E/L/PL | E/L/PL | PL | E/L/PL | PL | PL | ||
Sensor Format | FF | FF | FF | FF | FF | FF | FF | ||
Lens Elements | 22/18 | 19/13 | 18/12 | 19/13 | 18/13 | 18/13 | 17/11 | ||
Focal Length | 25mm | 35mm | 50mm | 65mm | 75mm | 100mm | 135mm | ||
Aperture Range | T2.0-T22 | T2.0-T22 | T2.0-T22 | T2.8-T22 | T2.0-T22 | T2.0-T22 | T2.4-T22 | ||
Number of Aperture Blades | 8 | 8 | 8 | 8 | 8 | 8 | 8 | ||
Minimum Object Distance | 1'8ft | 2'7ft | 2'7ft | 1'4ft | 3'3ft | 2'9ft | 3'4ft | ||
Squeeze Ratio | 1.33X | 1.33X | 1.33X | 1.33X | 1.33X | 1.33X | 1.33X | ||
Field Angle | Horizontal | 90.2° | 69.5° | 52.3° | 39.5° | 35.3° | 28.2° | 21.5° | |
Vertical | 52.8° | 37.8° | 27.2° | 20.1° | 17.8° | 14.0° | 10.8° | ||
Diagonal | 104.5° | 76.2° | 57.8° | 44.3° | 39.4° | 31.4° | 24.0° | ||
Aperture Control | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | Manual (ring can be rotate at 63°) | ||
Focus Control | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | Manual(ring can be rotated at 290°) | ||
(ring can be rotated at 290° | (ring can be rotated at 290°) | (ring can be rotated at 290°) | (ring can be rotated at 290°) | (ring can be rotated at 290°) | (ring can be rotated at 290°) | (ring can be rotated at 290°) | |||
Front Diameter | φ95mm | φ95mm | φ95mm | φ95mm | φ95mm | φ95mm | φ95mm | ||
Gear Pitch (Aperture,Focus) | 0.8M | 0.8M | 0.8M | 0.8M | 0.8M | 0.8M | 0.8M | ||
Lens Dimension (Diameter*Length) | E | / | φ102x167.5mm | φ102x167.5mm | / | φ102x167.5mm | / | / | |
L | / | φ102x165mm | φ102x165mm | / | φ102x165mm | / | / | ||
PL | φ102x151.6mm | φ102x133mm | φ102x133mm | φ102x179.1mm | φ102x133mm | φ102x180mm | φ102x184.6mm | ||
Weight (Excluding Front and Rear Lens Covers) | E | / | ≈2040g | ≈2040g | / | ≈2040g | / | / | |
L | / | ≈2050g | ≈2050g | / | ≈2050g | / | / | ||
PL | ≈2024g | ≈1980g | ≈1980g | ≈2000g | ≈1980g | ≈2690g | ≈2098g |